How To Use Oil Paints
I am a very practical person, more of a D.I.Y person who has come a long way by being willing to learn as much as I can about things I am passionate about.
Using Oil paint can be quite daunting thus you need some tips to guide you. I remember the very first time I bought a tube of Oil paint back in 2000; I had no clue how to use it. All I knew was that I needed to use it because I loved the results I knew it produced.
Of course, there was a lot of trial and error (many of which resulted in outcomes I found myself marvelling at!!) but the more I used it the more I fell in love with it. More than 15 years later I am still using Oil paints and I cherish those formative years.
Below are some tips I employ when using Oil paints. They have helped me (...still help me) and I hope they would help you too.
WORK FROM THIN TO FAT
Use less Oil Paint Medium on the upper layers of your painting. This is a golden rule in oil painting and it ensures that your finished work does not crack. This is mainly because Oil paints dry over a long period of time and they use up surrounding moisture as they dry, thus if the upper layers are thin they would lose a lot of moisture during the drying process.
CLEAN YOUR BRUSH OFTEN
Always have a piece of newspaper, kitchen tissue or cloth beside you for wiping off your brush. During a painting session, it is easy for the painting brush to pack in a lot of paint. Having something to clean off the excess paint is especially useful in keeping your brush light.
3. MAKE SURE YOUR PAINTING SURFACE IS FREE OF DUST.
4. ALWAYS PAINT IN A WELL VENTILATED ROOM.
Oil paint is made of toxic materials which can be dangerous. The other media used with oil paint are also toxic especially Turpentine (see tip #9). Thus it is important to work in well-ventilated rooms so as to ensure that you do not inhale the fumes.
5. DO NOT USE BLACK AS UNDERPAINTING.
Use earth colours (Raw Umber, Burnt Umber, Raw Sienna or Burnt Sienna) or any other colour you wish to use.
6. BE CONFIDENT.
Everyone started somewhere and the most difficult step is usually the very first one. You are as good an Artist as you believe. I have always been of the opinion that anyone can paint.
7. MAKE SURE THE LIDS AND TOPS OF YOUR OIL PAINTS ARE SCREWED ON TIGHTLY.
This is to prevent your paints from caking up while in the tube.
8. USE A MILD SOAP TO CLEAN YOUR BRUSHES
Clean your brushes first then use a mild soap. There are several brush cleaners around and they also extend the life of your brush. I currently use The Masters Brush Cleaner and Preserver.
9. STOP USING OIL PAINT IF YOU START FEELING UNWELL
I remember the first time I reacted to turpentine. I developed burning red eyes, a running nose and a cough with associated generalized body itching. All this stopped when I gave myself a break entirely from painting for some weeks and when I resumed painting; I kept away from turpentine.
The lesson here is to be vigilant and recognise any adverse effects early.
10. AVOID MIXING TOO MUCH AT A TIME
When mixing your paint; avoid mixing much at a time so as to keep your paints fresh.
11. PRIME YOUR CANVAS OR PAINTING SURFACE
Use Oil or Acrylic-based primers to prime your canvas or painting surface. This is to give your surface tooth and prevent them (especially canvas cloths) from soaking up your paints.
12. DO NOT BE AFRAID THAT YOUR OIL PAINTS WOULD DRY UP OVERNIGHT.
They can still be used by removing the caked up upper layer. I have left Oil paints on my palette for weeks and they remain usable.
13. DO NOT SQUEEZE OUT TOO MUCH PAINT AT A TIME
Oil paint does take a long time to dry up when not mixed with a fast-drying medium. The reverse is the case when a fast-drying medium has been used because it may dry up on your palette.
14. DO NOT BE TOO BOTHERED ABOUT HOW THE FINISHED WORK WOULD TURN OUT.
15. AVOID INHALING THE PAINTS.
Or ingesting the paints because they are toxic. Some artists use face masks when painting in order to minimize the amount of paint that they inhale.
16. DO NOT BE AFRAID OF MAKING MISTAKES.
Oil paint is a very forgiving medium. You can make corrections even after your work is dry by simply repainting the area you wish to correct.
I hope you found these useful. Painting with Oil paints can be quite frustrating but that should not deter you because it is a beautiful medium and there are various Oil Painting Techniques you can use to bring out the best in your painting. Its forgiving nature makes it the best medium for beginners. So give it a try.
Have a look at some Oil Painting Techniques I have used.
Not too keen on Oils? Thinking of trying out Acrylic Paint? See my article on How To Use Acrylic Paint for tips on how to get started.
Do you have any tips of your own? Please feel free to share it.
All the best
Nkoli
"Originally published in 2009 © Nkolika Anyabolu"
5.8” x 4.1” (A6)
Printed on premium quality gloss finish 300gm card stock.
Made from my Oil Painting of a Golden Eagle.
Comes with matching C6 envelope.
Blank inside for your own personal message
Image size area is approximately 42cm x 23cm (16.5” x 19”)
Archival Giclée print on 245gms acid-free fine art paper.
Printed using Canon Lucia Ink Set known to last for more than 100 years.
Comes with a mount made from conservation mount board which is non acidic and would not fade over time.
Signed by the artist- Nkolika Anyabolu
Ready-to-frame.
Will be posted wrapped in a protective film and mailed flat with a sturdy backing.
Measures 5" x 5"
Printed on premium quality gloss finish 300gm card stock
Made from my Acrylic Painting of Zebra. I captured the shot while out on a walk in Maun, Botswana.
Complete with matching envelope.
Blank inside for your own personal message
Image size area is approximately 18.5cm x 27.5cm (7.3” x 10.8”)
Archival Giclée print on 245gms acid-free fine art paper.
Printed using Canon Lucia Ink Set known to last for more than 100 years.
Comes with a mount (4cm across) made from conservation mount board which is non acidic and would not fade over time.
49.5 cm x 42.6 cm (19.5” x 16.8”)
Archival Giclée print on 245 gms acid-free fine art paper.
Printed using Canon Lucia Ink Set known to last for more than 100 years.
Comes with a mount made from conservation mount board which is non acidic and would not fade over time.
Signed by the artist- Nkolika Anyabolu
Ready-to-frame.
Will be posted wrapped in a protective film and mailed flat with a sturdy backing.
49.5 cm x 51 cm (19.5” x 20”)
Archival Giclée print on 245gms acid-free fine art paper.
Printed using Canon Lucia Ink Set known to last for more than 100 years.
Comes with a mount made from conservation mount board which is non acidic and would not fade over time.
Signed by the artist- Nkolika Anyabolu
Ready-to-frame.
Will be posted wrapped in a protective film and mailed flat with a sturdy backing.
Beautiful calming sunset day at Hole’s bay, Poole.
Approx 8 cm x 17 cm and 0.8 cm thick
Original Acrylic Painting.
Painting continues over the sides.
Easy to display.
Comes with a mini easel for easy display.
Painted with professional quality acrylic paint.
Fade resistant.
Can be wiped clean.
Does not need a frame.
5.8” x 4.1” (A6)
Printed on premium quality gloss finish 300gm card stock.
Made from my Oil Painting of the trail leading to my village home in Nigeria. The trail was surrounded by palm trees.
Comes with matching C6 envelope.
Blank inside for your own personal message
5.8” x 4.1” (A6)
Printed on premium quality gloss finish 300gm card stock.
Made from my Oil Painting of a wave on the Sandbanks Beach, Poole.
Comes with matching C6 envelope.
Blank inside for your own personal message
5.8” X 4.1” (A6)
Printed on premium quality gloss finish 300gm card stock
Made from my Oil Painting of a Leopard.
Complete with matching C6 envelope.
Blank inside for your own personal message
5.8” X 4.1” (A6)
Printed on premium quality gloss finish 300gm card stock.
Made from my Oil painting of a sunset in Maun, Botswana.
Comes with matching C6 envelope.
Blank inside for your own personal message
5.8” x 4.1” (A6)
Printed on premium quality gloss finish 300gm card stock.
Made from my Oil Painting of 2 boats on the banks of a river in Shakawe, Botswana.
Comes with matching C6 envelope.
Blank inside for your own personal message
47 cm x 48.2 cm (18.5” x 19”)
Archival Giclée print on 245gms acid-free fine art paper.
Printed using Canon Lucia Ink Set known to last for more than 100 years.
Comes with a mount made from conservation mount board which is non acidic and would not fade over time.
Signed by the artist- Nkolika Anyabolu
Ready-to-frame.
Will be posted wrapped in a protective film and mailed flat with a sturdy backing.
Archival Giclée print on 245gms acid-free fine art paper.
Printed using Canon Lucia Ink Set known to last for more than 100 years.
Comes with a mount made from conservation mount board which is non acidic and would not fade over time.
Signed by the artist- Nkolika Anyabolu
Ready-to-frame.
Will be posted wrapped in a protective film and mailed flat with a sturdy backing.
Measures 5" x 5"
Printed on premium quality gloss finish 300gm card stock.
Made from my Oil Painting of an elephant and its calf.
Complete with matching envelope.
Blank inside for your own personal message
48.2 cm x 36 cm (19” x 14.2”)
Archival Giclée print on 245gms acid-free fine art paper.
Printed using Canon Lucia Ink Set known to last for more than 100 years.
Comes with a mount made from conservation mount board which is non acidic and would not fade over time.
Signed by the artist- Nkolika Anyabolu
Ready-to-frame.
Will be posted wrapped in a protective film and mailed flat with a sturdy backing.
38.1 cm x 48.2 cm (15” x 19”)
Archival Giclée print on 245gms acid-free fine art paper.
Printed using Canon Lucia Ink Set known to last for more than 100 years.
Comes with a mount made from conservation mount board which is non acidic and would not fade over time.
Signed by the artist- Nkolika Anyabolu
Ready-to-frame.
Will be posted wrapped in a protective film and mailed flat with a sturdy backing.
18.5cm x 27.5cm (7.3” x 10.8”)
Archival Giclée print on 245gms acid-free fine art paper.
Printed using Canon Lucia Ink Set known to last for more than 100 years.
Comes with a mount (4cm across) made from conservation mount board which is non acidic and would not fade over time.
Signed by the artist Nkolika Anyabolu
Ready-to-frame.
Will be posted wrapped in a protective film and mailed flat with a sturdy backing.
42 cm x 23 cm (16.5” x 19”)
Archival Giclée print on 245gms acid-free fine art paper.
Printed using Canon Lucia Ink Set known to last for more than 100 years.
Comes with a mount made from conservation mount board which is non acidic and would not fade over time.
Signed by the artist- Nkolika Anyabolu
Ready-to-frame.
Will be posted wrapped in a protective film and mailed flat with a sturdy backing.
A Painting surface or support is the surface on which paint is applied and it depends on the kind of painting media (i: e paint) you have chosen to use. There are different types of painting surfaces or supports that can be used for painting e: g canvas, hard board, paper or even a wall.
This video was shot while in my painting studio creating a painting of a Field of Daisies with Acrylics. Hope you enjoy it.
This is a video showing the progress I made when I was creating an Acrylic painting of an African village. It was painted on canvas board.
This video shows me at work creating a Flower bed painting with Acrylics. This is a speed painting from the beginning to the end. Hope you enjoy it.
This is the 3rd and final part of the landscape painting. In this video I demonstrate how I paint a beautiful foreground with Acrylic paint. Simple Steps with details of colours you would need.
Painting of a bed of Tulips using Acrylic Paint. It is a speed painting from the beginning to the end. For this painting, I used both a brush and a palette knife for the petals of the Tulips.
Acrylic painting of flowers using the impasto technique. Very quick and satisfying. The impasto technique helps create an almost 3D effect in your paintings. Perfect for anyone who wants to paint quickly or anyone who wants to learn how to paint with a palette knife.
Are you a crafter? Do you make greeting cards; either handmade or printed with your artworks on them? Do you attend craft fairs or are you planning on going to some craft/art fairs? If yes this is for you. A FREE demonstration of how you could make a 4 Tier greeting card display stand..
5.8” X 4.1” (A6)
Printed on premium quality gloss finish 300gm card stock.
Made from my Oil Painting of a Giraffe and its calf.
Complete with matching C6 envelope.
Blank inside for your own personal message